Organist James Welch in recital, sponsored by UCSB Dept. of Music. At UCSB’s Lotte Lehman Concert Hall on Friday, January 10, 7:30 pm.
When you order a new car with “all the bells and whistles”, recognized or not you have torn a page from pipe organ history. Mighty theater organs like The Wonder Morton housed at the Arlington Theater—great symphonic machines built during the silent movie era—not only blow ten thousand pipes, but also shake and whirl a host of special effects like sleigh bells and train whistles. With the Early Music Revival of the mid-Twentieth Century, and its hunger for “authentic” instruments and styles, a lean Neo-Baroque sensibility prevailed in the pipe organ world, and with it a retreat from the electronic advantages of modern engineering, and entertainment culture excesses. Continue reading →
In 1977 James Welch was offered the job of Adjunct Professor and Lecturer in Organ at UCSB, a position he held for 16 years. During his tenure, Welch performed at least 25 recitals on the Flentrop organ, and sponsored regular recitals by his students. But Welch’s departure in 1993 marked the suspension of active life for the Flentrop. No one knew the instrument so well, and few have known it since. With a dwindling of Music Department interest and funds (and no Sunday service to keep its bellows regularly inspired—as would be the case for a campus chapel organ) the instrument has languished half its life largely unused.